备注:已完结
类型:伦理片
主演:朱莉娅·奥蒙德 拉尔夫·费因斯 菲利普·斯通 Jonathan Lac
导演:彼得·格林纳威
语言:英语
年代:未知
简介: 一位面目丑陋不堪的老妇生下了一个相貌标致、拥有天使面孔的男婴。然而男婴的姐姐(朱丽娅·奥蒙德Julia Ormond饰)却声称孩子是自己的。女人生子的荒唐前提一旦成立,一连串不可思议的玄虚之事便相继发生,整个世界的秩序将不复存在。她先是宣称男婴为神之附体的圣婴,后是以圣母玛利亚自称,靠圣婴赚取钱财。当姐姐与主教的儿子(拉尔夫·费因斯Ralph Fiennes饰)相恋时,却遭到了圣婴的阻碍,主教的儿子惨死在牛角之下。 姐姐为了报复,杀死了圣婴,闻讯赶来的人们要求严惩这个触犯天条的女人,于是她被判处了死刑,由于当时法律规定,女人是不能处死的,所以教皇命令208名士兵爱上她。姐姐在XX中死去,人们欢快地将圣婴肢解后分掉,希望可以得到圣婴的庇佑
备注:已完结
类型:动作片
主演:达利·本萨拉赫 Sami Slimane 安东尼·巴容 瓦萨尼·恩巴雷
导演:罗曼·加夫拉斯
语言:法语
年代:未知
简介:After the death of his youngest brother following an alleged police altercation, Abdel (Dali Benssalah) is called back from the frontline to find his family torn apart. Caught between his younger brother Karim's (Sami Slimane) desire for revenge and the criminal dealings of his older brother Moktar (Ouassini Embarek), he struggles to calm the rising tensions. As the situation e...
备注:已完结
类型:剧情片
主演:阿夫沙洛姆·波拉克 努尔·菲巴克 内塔·罗斯 Oded Menaste
导演:那达夫·拉皮德
语言:希伯来语
年代:未知
简介: Y.是一位40多岁的以色列导演,他来到沙漠尽头的一个偏远村庄,想要展示他的一部电影。在那里,他遇到了文化部官员Yahalom,并发现自己正在打两场失败的战斗:一场是反对他的国家对于自由的消亡,另一场则是反抗他母亲的死亡。
备注:已完结
类型:剧情片
主演:Ahmed Awadalla Nadim Bahsoun Hassan
导演:穆罕默德·肖基·哈桑
语言:其它
年代:未知
简介: A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”